Flash from the past

A page dedicated to the pictures that ignite the wonderful memories...!

"Avinash Pasricha sent these photos of Kalyani Kutty Amma....Thanks Avinash" (Sri Sunil Kothari).

In frame : Pathmashri Sunil Kothari, Mohiniyattam exponents Kalamandalam Kalyanikkutti Amma and Pathmashri Kalamandalam Sathyabhama

"Pandit Kishan Maharaj, it is indeed sorrel for me to think that he is no more. My association with him goes back five decades from our first concert together in Varanasi in 1963. He was a dear friend to me and a Tabla player with whom I have shared some of the most memorable concerts on my life especially when I was in my twenties. He was the last remaining Tabla player who had performed not just with Amaan, Ayaan and I but also with my father Ustad Haafiz Ali Khan. Three generations of my family! I miss him no end and the time and years that I have spent with him with remain in my heart for eternity". - PathmaVibhushan Usthad Amjad Ali Khan

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Janmashtami - the journey towards Oneness

I t is Janmashtami today. The day on which the Complete Avatar of Lord Narayana was born as Little Krishna as the eighth son of Devaki and Vasudeva. Krishna, if we go through the puranas, is everything. He is a good son, a brother, a friend, a lover, a protector, a destructor, a messenger, a statesman… and what not! Having the constrains of a living being, we try to limit Krishna or can only view Krishna at times as per our perception or state of mind. The fact is that Lord Krishna, the Supreme God, is beyond all space and time. For Radha, Lord Krishna is her lover. She wants to be with him always and never wants to get separated from him. But, we can see sad Radha experiencing the pain of separation a lot. The Mohiniyattam video clip by the renowned dancer Dr. Neena Prasad that is attached here depicts such a situation from Ashtapathi beautifully. Radha cannot suffer the pain of separation. She is imagining that her Lover is spending his time with his some other

Pristine purity with traditional hues - Dr. Bombay Jayashri at Margazhi

S he came she sang she conquered. Bombay Jayashri performed scintillating concert at Music Academy today prime slot. For 150 minutes several ragas ( Carnatic music does not have concept of Ragini ) wafted. Thodi, the central piece, descended from Heaven and embraced in its aura the entire audience of 1500 passionate music lovers. After a soul stirring Alap,she chose Shyama Sastri Swami’s masterpiece Ninne Namminanu Sada for her characteristic treatment. The music was sublime and emphasis was pristine purity with traditional hues. Acute poverty of expressions come in the way of describing her concert in words. Heard melodies are sweet but the reverberations are sweeter because of the joy of recollections in tranquility. Today’s fulfilment of a dream for me reminded me of a place in Scotland which I visited last year where Wordsworth and his sister Dorothy were said to have stayed for some time . The poet wrote The Solitary Reaper in 1815 at that place and I q

Aananda Bhairavi and Sree Thyagaraja Swami; 'Neeke Theliyaka Pote..'

T housands of Keerthanams that streamed down from the Divine Heart of Sri Thyagaraja Swami have been spawning unfathomable and indecipherable feelings in us for centuries. 'Neeke Theliyaka..', among those priceless gems, is the only 'Keerthanam' in Ragam AanandaBhairavi from Sri Thyagaraja Swami! A snippet on this:- Once Swami ji happened to hear Sri Shayama Shasthrikal singing AanandaBhairavi. Feeling it to be an awesome sauce, Swamiji fell head over heels in love with the AanandaBhairavi of Shasthrikal. Bowing before Shastrikal, with such a pure and humble heart Swamiji's words broke the silence," Divine is Thy rendition, henceforth dost I wish no Keerthanams from me take shape in AanandaBhairavi !" (Note: "ksheera saagara vihaara aparimita.." in AanandaBhairavi by Sri Thyagaraja Swamikal is a DivyaPrabhandam [Utsava Sampradaya] ) Lyrics and Meaning below: Keerthanam on Lord Sree Rama.

Nrtya Techniques in Mohiniyattam; book released

R enowned 'Mizhavu' artist and Guru - Padmashri P.K. Narayanan Nambiar released a book ( Malayalam ) - 'Nrthya Sankethangal Mohiniyattathil' written by Dr. Geetha Sivakumar at Palakkad, Keralam. Over the years, different 'Baanis' or 'Traditions' had contributed a lot in the nourishment of Mohiniyattam. This book -'Nrtya Sankethangal Mohiniyattathil' focuses on 'Kalamandalam baani'. ”Mohiniyattam, a lyrical dance form of Kerala, has a well structured 'prayoga' style in Kerala Kalamandalam Kalaries. This book tends to analyse the techniques of Mohiniyattam adopted by Kerala Kalamandalam so as to consider it as a Lasya Nrtya form. The queries on the techniques of nrtya such as what, why, where, when are the basic thought of this study. It is analysed on the basis of Sanskrit texts, which give us more scientific explanations and principles.

Financial aid for the institutions from the Central Sangeet Natak Akademi

I s your cultural institution a registered one? Is it promoting any of the traditional art forms like Music, Dance, Drama, Puppetry, Folk & Tribe? Yes....? Here is an opportunity for you to avail the financial assistance from the Central Sangeeth Natak Akademi. Applications are invited by the Central Sangeeth Natak Akademi from the registered Cultural Institutions which are active in the promotion, propagation and dissemination of the above mentioned art-forms for the financial grants under the “Financial Assistance Scheme to Cultural Institutions” for the financial year 2018-19. Terms and Conditions : All Institutions applying for financial assistance under the scheme should be registered with the concerned Central/State Govts/Concerned departments, at least 03 years prior to the date of application. The application form should invariably be supported with self attested copy of the registration certificate, audit report for the last three yea

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