Skip to main content

Story of Courage and Determination- Dr Narthaki Nataraj Padmashri

I am so delighted that Dr Narthaki Nataraj has been conferred Padmashri by Govt of India vide Republic Day honours list 2019. What is so significant about this great civilian honour is that she is the first Transgender to receive the top award. Not just that, it is a saga of struggle all throughout her childhood due to exclusion, derision, social boycott, poverty. She faced everything with true grit but she had one dream - to be a classical Bharatanatyam Dancer. She achieved that with gusto. She did menial jobs for surviving but was focused on her inner urge to dance. In 1984 she compelled the legend Guru Thanjavur Kittappa Pillai to accept her as a student. Yamini Krishnamurti, Vyjayantimala etc were his students.






According to an article from Indian express “It was years before audiences recognised her splendid performances. In 2011, she was honoured with the prestigious Sangeet Natak Akademi award from the President of India, a first for any trans person. At that moment in Delhi, I realised how gifted every human being is. No matter whether we are born as male, female or trans, passion and self-confidence are all it takes".



Narthaki Natraj with C S Pancham at Devi temple Puthur prior to her dance concert .



Along with her friend Shakti Bhaskar, Narthaki Nataraj set up a dance school, Velliyambalam Nadana Kalaikoodam, in Chennai and Madurai. Here, she trains many students from India and abroad in the traditional repertoire of Thanjavur Quartets.



I am blessed and fortunate to know her and when she addresses me as Anna, the whole world becomes so beautiful to me and living very meaningful. As coordinator for SPIC MACAY, I had curated her first ever circuit in Kerala about a year ago and she enthralled youth in several prestige institutions like NIT Calicut, IIT Palghat etc etc. I had curated her dance concert at Puthur Devi temple Palghat in 2017 and she said after the program “ I have been dancing all my life for my livelihood but today I danced for Devi MA and it is Sayoojyam for me”.



Narthaki Amma, I offer my humble Pranams to you. You prevented me from bowing to you but you can’t prevent my heart doing Charan Sparsh to you . You are a great achiever and I wish you many more laurels.



Written by
Sri C.S. Pancham Author is an Art Critic and frequently writes reviews in leading national news papers.

Get updated!
Visit and Like our fb page at : www.facebook.com/wocue
facebooklogo





Comments

Popular posts from this blog

Infinite Ocean in a Cup! Savour of music from Dr. Jayanthi Kumaresh

W ith its vastness and depth beyond the sight, Music is often referred to as 'Anantha Saagaram' ( the Infinite Ocean). "Cup O' Carnatic" by Vidushi Dr. Jayanthi Kumaresh, a video series which influenced a lot of viewers, was an effort to handover the flavors of the infinite ocean with the piecemeal approach at the best. "So many people write to me with queries on Veena and Music. Though initially I tried to answer them individually, due to time constraint, it became difficult. So I thought it will be nice to have a public platform to attend such queries so that every one can access it", Dr. Jayanthi explains the path that lead her to the creation of "Cup O' Carnatic". To motivate young rasikas into enjoying and appreciating Carnatic music, the videos are purposely kept to a shorter duration. Apart from its rich content and the effective presentation, what was so special about the series was its short duration. This in-fact had ins...

Janmashtami - the journey towards Oneness

I t is Janmashtami today. The day on which the Complete Avatar of Lord Narayana was born as Little Krishna as the eighth son of Devaki and Vasudeva. Krishna, if we go through the puranas, is everything. He is a good son, a brother, a friend, a lover, a protector, a destructor, a messenger, a statesman… and what not! Having the constrains of a living being, we try to limit Krishna or can only view Krishna at times as per our perception or state of mind. The fact is that Lord Krishna, the Supreme God, is beyond all space and time. For Radha, Lord Krishna is her lover. She wants to be with him always and never wants to get separated from him. But, we can see sad Radha experiencing the pain of separation a lot. The Mohiniyattam video clip by the renowned dancer Dr. Neena Prasad that is attached here depicts such a situation from Ashtapathi beautifully. Radha cannot suffer the pain of separation. She is imagining that her Lover is spending his time with his some other ...

Where the Artist Disappears, the Art Lives On - Dr. Sunanda Nair

W hat does a five-decade sadhana give to a practitioner? The sadhaka disappears, and the art speaks through the artist. What Dr. Sunanda Nair gave at Rose Theatre Brampton was a riveting 30–40 minutes of performance. The program, held on November 17, was part of the Umang Festival – Light of Hope, organized and curated by Mrudanga by Enakshi Sinha from Canada, supported by the Department of Heritage Canada and the Ontario Arts Council (OCAF). Sunanda Nair brought 'Adharam Madhuram' and 'Kubja' to the stage. When the artist speaks about what she is bringing to the stage, it feels better than an emcee reading it out. It is the emotions of the artist about the item, in their own voice, that come out, thereby giving life to the item even before it starts. Adharam Madhuram began by beautifully expressing Krishna's sweetness, slowly transporting us to the details. When he came to conso...

G.N.B, an unparalleled Genius Musician

C an a musician have a great flow to his music and yet be analytical? Can a musician sing based on Lakshya without compromise to Lakshana? Can a musician have discipline in his Kirthana singing despite having extraordinary Manodharma...? There was one musician who was a testimony to all the above. He had many firsts to his name ! It was he, who introduced the concept of “Porutham” singing. When he sang Palintsu Kamakshi, he sang Kalpana Swaram for “Kanthamagu” . It was not the hackneyed MRSRM finish. He used to finish with phrases such as SNPNM, RMPNS and PNSRM and start Kanthamagu from the adjoining note. This was a huge innovation. Of course genius musicians such as Lalgudi Sir, Balamurali Sir and Seshagopalan Sir have taken a leaf out of his books and added Kanakkus to Poruthams and further embellished. He introduced concept of Sruthi Bedham. He used to just show a glimpse of the child Raga and not dwell too much into it. When he elaborated Thodi, he would sh...

"And singing still dost soar, and soaring ever singest...", Dr. Bombay Jayashri at Narada Gana Sabha

V idushi Bombay Jayashri culminated her musical yagnas Margazhi season Chennai appropriately at a Sabha whose name is synonymous with the Vedic sage holding Tampura singing songs of Vishnu and Sadguru Gnanananda . Yes Sadguru Gananda Auditorium of Narada Gana Sabha was chocked with ardent music lovers from Chennai and rest of the ‘world’ to listen to Carnatic music by Bombay Jayashri. While, on 30 December 18, people started queuing up outside the gates in 'tune' with the anticipated calm and meditative music, there was a celestial event of invisible line up of ragas waiting to waft in and gently enter the vocal chords of the divine singer framed between two Tampuras . And when curtain was raised at 4 pm. Bindumalini, Kalyani, sriranjani, Sindhu Bhairavi, Desh - to name a few Gandharv Beings - came one by one in a very orderly manner. In contrast to the melody , the applause was higher than 6 on the Richter Scale and the standing ovation appeared to be unend...

Pollachi Tamil Isai Sangam annual dance fest

A s a part of 33rd annual dance festival by the Pollachi Tamil Isai Sangam, a group of Mohiniyattam dancers from Upaasna akademy of fine arts of Mumbai led by Smt. Sujatha Nair presented a few selected Mohiniyattam items on Sunday 12th August 2018 at the KKG Thirumana mandapa auditorium. Starting with an item in praise of the one tusked Vigneswara they presented a Varnam in ragam Simhendra Madyamam depicting few scenes from Ramayanam like Ahalya moksham, Seeta Swayamvaram and Sabarai Darshanam. While Sujatha Nair did a solo presentation of an ashtapadi from Gitagovindam. The group also presented an item in Ragamaalika, recreating the Vrindavana leelas of Lord Srikrushna. All the items were choreographed by Smt. Jayashree Nair, founder director of Upaasana. Jayashree Nair and her students were felicitated by the Sangam secretary Sri G D Gopalakrishnan.

Violin Maestro, Padmabhushan Sri T.N. Krishnan turns 90

T oday is a red letter day for me as I attended Kanakabhishekam of Prof T N Krishnan Sir and his Dharampatni Smt Kamala Ji on the occasion of 90 th Birth Day celebration of the violin Legend. Amidst the chanting of Vedic mantras, Havan, Pooja to Lord Guruvayurappa, Nadaswaram by Vidwan Seshampatti Sivalimgam, felicitation by Governor of Tamil Nadu the celebration culminated with Abhishekam of the couple from the vessel of yagna rituals with everyone singing Gowri Kalyana Vaibhavame. Post the Abhishekam the Couple were resplendent while seated, as people lined up to touch their feet and obtain Mangala Akshadai. I am very very blessed to witness Parameswar Parvathi and was so overwhelmed that I could wet their holy feet with Aananda Bashpam ( tears of joy ). May God Bless them with many more Jayanthi so they can, in turn, Bless millions like me. Sri. C.S. Pancham with Sri T.N. Krishnan and his Dharampatni Smt Kamala on the occasion of 90th B...

The Second ‘WOCUE Rasa-Navam’ ( something special captures )

F rom the set of pics that came under our consideration, we selected this beautiful capture of Smt. Shashwati Garai Ghosh in landacape orientation as the second WOCUE rasanavam – something special captures. Photo by : Debojyothi Dhar, Captured at Mukteshwar Fest, 2017 In this picture, the Dancer is positioned like a wonderful sculpture. The color of her costume is well blended into atmosphere of the stones on the Temple structure in the background. Lights on the Temple structure are nice and the other structures goes into darkness slowly into the infinity. (Announced on 29th May 2017) About the Artist : SMT. SHASHWATI GARAI GHOSH Smt. Shashwati Garai Ghosh, is an Odissi Dancer from Kolkotta. She is a Disciple of Vidushi Sharmila Biswas. Shashwati has performed several times at the Konark Festival, the Mukteshwar Festival, and the Ananya Festival in India. Besides, she has danced at Menaka Thakkar’s group production (Toronto, 2004), Maximum India...

Pandit Samta Prasad - Resonance unlimited

I f each year is a beat, today the second cycle of the twelve beat Ekthal is completed, after the demise of the Maharaj of Thaal - Pandit Samta Prasad (Gudai Maharaj). Of course, his life was not different from his own words: "The whole life of a tabla artiste is dedicated to finding a special beat with the tali and the khali . They reside in his heart, because his soul rests and throbs with the thaala of measured matras" . He is a musician who had dominance over both the baayan and tabla. He was an illustrious soloist and accompanist. In Pandit Kishan Maharaj's ( tabla exponent ) opinion, "Tabla in Gudai ji's hands seemed like a fish trapped in an eagle's claws". He had such an astonishing control over the instrument. It is said that in those days, the organizers felt like- without Gudai Maharaj the concerts were incomplete and they will first attest to the date of Gudai Maharaj before they finalize the main artist ! He was awarded the...