Skip to main content

Story of Courage and Determination- Dr Narthaki Nataraj Padmashri

I am so delighted that Dr Narthaki Nataraj has been conferred Padmashri by Govt of India vide Republic Day honours list 2019. What is so significant about this great civilian honour is that she is the first Transgender to receive the top award. Not just that, it is a saga of struggle all throughout her childhood due to exclusion, derision, social boycott, poverty. She faced everything with true grit but she had one dream - to be a classical Bharatanatyam Dancer. She achieved that with gusto. She did menial jobs for surviving but was focused on her inner urge to dance. In 1984 she compelled the legend Guru Thanjavur Kittappa Pillai to accept her as a student. Yamini Krishnamurti, Vyjayantimala etc were his students.






According to an article from Indian express “It was years before audiences recognised her splendid performances. In 2011, she was honoured with the prestigious Sangeet Natak Akademi award from the President of India, a first for any trans person. At that moment in Delhi, I realised how gifted every human being is. No matter whether we are born as male, female or trans, passion and self-confidence are all it takes".



Narthaki Natraj with C S Pancham at Devi temple Puthur prior to her dance concert .



Along with her friend Shakti Bhaskar, Narthaki Nataraj set up a dance school, Velliyambalam Nadana Kalaikoodam, in Chennai and Madurai. Here, she trains many students from India and abroad in the traditional repertoire of Thanjavur Quartets.



I am blessed and fortunate to know her and when she addresses me as Anna, the whole world becomes so beautiful to me and living very meaningful. As coordinator for SPIC MACAY, I had curated her first ever circuit in Kerala about a year ago and she enthralled youth in several prestige institutions like NIT Calicut, IIT Palghat etc etc. I had curated her dance concert at Puthur Devi temple Palghat in 2017 and she said after the program “ I have been dancing all my life for my livelihood but today I danced for Devi MA and it is Sayoojyam for me”.



Narthaki Amma, I offer my humble Pranams to you. You prevented me from bowing to you but you can’t prevent my heart doing Charan Sparsh to you . You are a great achiever and I wish you many more laurels.



Written by
Sri C.S. Pancham Author is an Art Critic and frequently writes reviews in leading national news papers.

Get updated!
Visit and Like our fb page at : www.facebook.com/wocue
facebooklogo





Comments

Popular posts from this blog

Pandit Samta Prasad - Resonance unlimited

I f each year is a beat, today the second cycle of the twelve beat Ekthal is completed, after the demise of the Maharaj of Thaal - Pandit Samta Prasad (Gudai Maharaj). Of course, his life was not different from his own words: "The whole life of a tabla artiste is dedicated to finding a special beat with the tali and the khali . They reside in his heart, because his soul rests and throbs with the thaala of measured matras" . He is a musician who had dominance over both the baayan and tabla. He was an illustrious soloist and accompanist. In Pandit Kishan Maharaj's ( tabla exponent ) opinion, "Tabla in Gudai ji's hands seemed like a fish trapped in an eagle's claws". He had such an astonishing control over the instrument. It is said that in those days, the organizers felt like- without Gudai Maharaj the concerts were incomplete and they will first attest to the date of Gudai Maharaj before they finalize the main artist ! He was awarded the...

Nrtya Techniques in Mohiniyattam; book released

R enowned 'Mizhavu' artist and Guru - Padmashri P.K. Narayanan Nambiar released a book ( Malayalam ) - 'Nrthya Sankethangal Mohiniyattathil' written by Dr. Geetha Sivakumar at Palakkad, Keralam. Over the years, different 'Baanis' or 'Traditions' had contributed a lot in the nourishment of Mohiniyattam. This book -'Nrtya Sankethangal Mohiniyattathil' focuses on 'Kalamandalam baani'.   ”Mohiniyattam, a lyrical dance form of Kerala, has a well structured 'prayoga' style in Kerala Kalamandalam Kalaries. This book tends to analyse the techniques of Mohiniyattam adopted by Kerala Kalamandalam so as to consider it as a Lasya Nrtya form. The queries on the techniques of nrtya such as what, why, where, when are the basic thought of this study. It is analysed on the basis of Sanskrit texts, which give us more scientific explanations and principles. ...

"Birju Maharaj: The Master Through My Eyes" - Saswati Sen

P resents layers of the Kathak maestro's personality as witnessed by one of his foremost disciples. This book reveals how this icon of Indian dance, who is a mentor for thousands and an inspiration for countless people across the globe, is actually an unassuming, simple person outside his artistic world. Saswati Sen has known Pandit Birju Maharaj for over forty-five years. Gradually, she began to see the divinity in her talented master and decided to write a book on his life and work. Birju Maharaj: The Master Through My Eyes presents layers of the Kathak maestro. Title - Birju Maharaj: The Master Through My Eyes Author - Saswati Sen Publisher - Niyogi Books, 2013 ISBN - 9381523827, 9789381523827 Length - 216 pages Subjects- Biography & Autobiography › Composers & Musicians Buy this Book >>

Pristine purity with traditional hues - Dr. Bombay Jayashri at Margazhi

S he came she sang she conquered. Bombay Jayashri performed scintillating concert at Music Academy today prime slot. For 150 minutes several ragas ( Carnatic music does not have concept of Ragini ) wafted. Thodi, the central piece, descended from Heaven and embraced in its aura the entire audience of 1500 passionate music lovers. After a soul stirring Alap,she chose Shyama Sastri Swami’s masterpiece Ninne Namminanu Sada for her characteristic treatment. The music was sublime and emphasis was pristine purity with traditional hues. Acute poverty of expressions come in the way of describing her concert in words. Heard melodies are sweet but the reverberations are sweeter because of the joy of recollections in tranquility. Today’s fulfilment of a dream for me reminded me of a place in Scotland which I visited last year where Wordsworth and his sister Dorothy were said to have stayed for some time . The poet wrote The Solitary Reaper in 1815 at that place and I q...

First ‘WOCUE Rasa-Navam’ ( something special captures )

F rom the set of pics that came under our consideration, we selected this beautiful capture of Sri. Parshwanath Upadhye as the first WOCUE rasanavam – something special captures. The capture seems to be a real treat for the senses with the beautiful color combination and great lighting, moreover a perfect budding smile. Photo by : Light WEDS Shadow (Announced on 20th April 2017) About the Artist : SRI. PARSHWANATH UPADHYE A versatile Indian classical dancer, ‘Natya Mayura’ ; ‘Natya Keerthi’ awardee,Parshwanath Upadhye has carved out a niche for himself today as one of the most sought-after male dancers in the country. He is a Winner of eight national awards, an empanelled artist of the ICCR (Indian Council for Cultural Relations) and an ‘A grade’ artist of the Bangalore Doordarshan Kendra, Parshwanath’s prowess in the field of dance is extensive. Parshwanath completed his Arangetram, Vidwath and Alankaar Exams under the able guidance and...

Infinite Ocean in a Cup! Savour of music from Dr. Jayanthi Kumaresh

W ith its vastness and depth beyond the sight, Music is often referred to as 'Anantha Saagaram' ( the Infinite Ocean). "Cup O' Carnatic" by Vidushi Dr. Jayanthi Kumaresh, a video series which influenced a lot of viewers, was an effort to handover the flavors of the infinite ocean with the piecemeal approach at the best. "So many people write to me with queries on Veena and Music. Though initially I tried to answer them individually, due to time constraint, it became difficult. So I thought it will be nice to have a public platform to attend such queries so that every one can access it", Dr. Jayanthi explains the path that lead her to the creation of "Cup O' Carnatic". To motivate young rasikas into enjoying and appreciating Carnatic music, the videos are purposely kept to a shorter duration. Apart from its rich content and the effective presentation, what was so special about the series was its short duration. This in-fact had ins...

Nrithya Seva Mani by Cleveland Thyagaraja Festival to Kalasree Dr Sunanda Nair

C leveland Thyagaraja Festival's Nrithya Seva Mani award will be presented to the renowned Mohiniyattam exponent Dr. Sunanda Nair. The title of Nrithya Seva Mani is bestowed upon an individual who has made a lasting contribution to Classical Dance through propagation and demonstration. Senior disciple of Pathmabhushan Dr Kanak Rele, Dr. Sunanda Nair is one of the foremost exponents of the art today. She is the first student to complete Masters Degree in Mohiniyattam in India. She has completed her PhD from University of Mumbai for her thesis "Intrinsic Lyrical Feminism in Mohiniattam". She was in high school, while she started the Srutilaya Institute of Fine Arts, which trains students both Mohiniattam and Bharatanatyam, in 1980. She had performed all around the globe in prestigious venues and had received somany awards such as 'Kalarathnam’ from Kerala Kalamandalam(2016), 'Kalaasree' from the Kerala Sangeetha Natak Akadem...

'Namami Shankaram' : A Predestined Hymn in the Soul’s Journey

A girl whose thoughts were filled with classical dance, when grown up, married into the royal family of Maharaja Sri Swathi Thirunal—whose contributions to Mohiniyattam are priceless, and whose lifetime is considered the golden era of Mohiniyattam. She considers it as a blessing. Now, years later, she has again been handpicked by the Almighty to portray the life of Adi Shankaracharya through dance. In this conversation with Gopika Varma, PSB Nambiar Sooryavamsham explores the inspiration, research, and process behind ‘Namami Shankaram’, a Mohiniyattam portrayal of Adi Shankaracharya’s life. A dancer often senses a spark for a new choreography. Can you tell us how ‘Namami Shankaram’ first took shape in your mind? I was invited to perform for Adi Shankara Jayanthi in Indore in March 2017. I was confused about what to perform. One day, I went to my friend Krithika Subramanian’s house for dinner. Her mother-in-law was reading a commentary on Adi Shankaracharya. I asked her f...

Katcheri by Cherthala Dr. K.N. Renganatha Sharma at Shanmukhananda Hall, Mumbai

O n 9th June, a Carnatic Vocal 'Katcheri' by the renowned musician Cherthala Dr. K.N. Renganatha Sharma was held at Shanmukhananda Hall, Mumbai. Sri Kumbhakonam Gopinath. M.R on Violin, Cherthala Sri R. Ananthakrishnan on Mrudangam, Sri Amaravathi Sundaram Krishnan on Mukharshank, Sri Mumbai Raghunath on Thamburu were the supporting the artists. Dr. Sharma began the Katcheri with the Kanada Ata-Thaala Varnam 'neranammitinayya nityamuga....' by Sri. Poochi Srinivasa Iyyangar. Seeking the blessing from the Lord Ganesha, ‘Siddhi Arul Sivasakthi Baalakane’ a Keerthanam by Sri Neelakanta Sivan in raga Natta was presented. It was set to Chaappu thaalam. Next to follow was the sub-main composition of the concert. He picked out Sri. Muthuswami Deekshithar’s ‘Sree maatah shiva vaamaange sree chakra roopa’ in Begada, Aadi thaalam and decorated it with the Niraval and Swara . Photo Credits : 'Shanmukhananda Sabha' ‘Maaru balka kunna vemira maa ...