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Prayers through Music, Dr. Bombay Jayashri

S adguru Sainath attained Samadhi on Vijaya Dashami day exactly 100 years ago . In relation to this on 18th Oct. 2018, Vidushi Dr. Bombay will offer the prayers through Music. In August 1918, Shirdi Sai Baba told some of his devotees that he would soon be "leaving his mortal body" . Towards the end of September, he stopped eating. As his condition deteriorated, he asked his disciples to recite holy texts to him and continued to meet visitors. On 15th October 1918, he breathed his last. This year on 18th October 2018, the thithi of Dasami comes after mid day as per Hindu lunar astronomy. Hence Sai Temple all over observe 18th October as Samadhi Centenary.

Third studio show at Sarani, Whitefield

S arani’s third studio showing showcased two dance forms, Mayurbhanj Chhau by Sri Aditya Srivastava, a student of Guru Sri Janmajaya Sai Babu and Odissi duet by the mother-daughter duo, Smt. Sonalika Purohit and Kum. Srinika Purohit. Sri Aditya Srivastava began his peformance with a dance descriptive of Shiva and then moved onto one where he showcased the elements of martial art techniques that are so much part of Chhau. His jumps, spins and controlled body movements were enjoyed by all including the little ones. Photo Credits : Sri.S Devarajan Following Sri. Aditya’s performance Smt. Sonalika Purohit and Srinika Purohit presented the Odissi. Their performance, while tilted towards the presentation of abhinaya, did also showcase amazing neatness of techniques by eight year old Srinika. Whether it was Smt. Sonalika’s performance describing the 'Panchabhutas' or Kum. Srinika’s description of the Goddess Durga, or their item 'Madhurashtakam', ...

Infinite Ocean in a Cup! Savour of music from Dr. Jayanthi Kumaresh

W ith its vastness and depth beyond the sight, Music is often referred to as 'Anantha Saagaram' ( the Infinite Ocean). "Cup O' Carnatic" by Vidushi Dr. Jayanthi Kumaresh, a video series which influenced a lot of viewers, was an effort to handover the flavors of the infinite ocean with the piecemeal approach at the best. "So many people write to me with queries on Veena and Music. Though initially I tried to answer them individually, due to time constraint, it became difficult. So I thought it will be nice to have a public platform to attend such queries so that every one can access it", Dr. Jayanthi explains the path that lead her to the creation of "Cup O' Carnatic". To motivate young rasikas into enjoying and appreciating Carnatic music, the videos are purposely kept to a shorter duration. Apart from its rich content and the effective presentation, what was so special about the series was its short duration. This in-fact had ins...

Fourth WOCUE RasaNavam is announced

T his time, while considering the fourth WOCUE rasanavam – something special captures, we wondered if any one could have taken their eyes away from the beauty of the brush strokes by the sun on this little green globe, amazingly captured by Sri Kundan De with his lense. Arupa Lahiri , the renowned dancer, underlines her name (literally means without form, which really is the ultimate form of beauty) with her presence- that is perfectly in tune with the nature! Her expression creates life over the broken wood on the right. The colors in the frame, let it be the nature or the costume, seems interwoven, even the contrast ones. Simply, ‘a poetry in the lights’ would be an apt usage, especially as Arupa Lahiri herself is a literature lover and a writer. Photo by : Sri. Kundan De ( Photo shoot ) About the Artist : ARUPA LAHIRI Arupa Lahiri, one of the noted young Bharatnatyam dancers of the country, started learning dance at the age of four. Later she did her h...

The First Lesson - By Mysore Vasudevacharya

M ysore Vasudevacharya, doesn't need any introduction among the the Carnatic Music Devotees. Many popular compositions like 'Broche varevarura' in Kamas, 'Mamavatu sri Sarasvati' in Hindolam, 'Bhajare Re Manasa' in Abheri, 'Ninne Nammitinayya Sri Rama' in SimhendraMadhyamam are the contribution of this great Musician who belonged to the 'Shishya Parampara' of Sri Thyagara Swami, forerunner among the Trinities of Carnatic Music. We found an old article written by him- published somewhere in between 1900 -1961, recalling the days he spent with his Guru - Sri Patnam Subramania Iyer around 1870s! Those words, like his compositions, were flowing out from the heart of purity. He writes : Says Bhagavadgeetha. You should serve your Guru with devotion and sincerity; you should prostrate at his feet; you should ask him questions and get your doubts cleared; you are, then, ready for the road to 'Brahmagnana' . Who is a G...

Soorya fest - 'Parampara' series

P arampara series of performances in Soorya fest 2018 this year will be conducted from Nov 1 to 10 at Thiruananthapuram, Keralam. The venue of performance will be Ganesham and will begin at 6.45 PM on all days. 1 Nov - Dakshina Vaidayanathan ( Bharatanatyam ) 2 Nov - Pratiksha Kashi ( Kuchipudi ) 3 Nov - Sreelakshmi Govardhan ( Kuchipudi ) 4 Nov - Divya Unni ( Bharatanatyam ) 5 Nov - Abhayalakshmi ( Odissi ) 6 Nov - Reddy Lakshmi ( Kuchipudi ) 7 Nov - Deepti Gupta ( Kathak ) 8 Nov - Shweta Prachande ( Bharatanatyam ) 9 Nov - Lavanya Ananth ( Bharatanatyam ) 10 Nov - Uthara Unni ( Bharatanatyam ) Time : 6.45 PM - all the above performances. November 1 to 10 Workshop on Dance by Guru Bragha Bassal Hamee 11-Inch Tabcase Tan Brown Leather Tablet Case / Sleeve / Pouch for Toshiba ...

First ‘WOCUE Rasa-Navam’ ( something special captures )

F rom the set of pics that came under our consideration, we selected this beautiful capture of Sri. Parshwanath Upadhye as the first WOCUE rasanavam – something special captures. The capture seems to be a real treat for the senses with the beautiful color combination and great lighting, moreover a perfect budding smile. Photo by : Light WEDS Shadow (Announced on 20th April 2017) About the Artist : SRI. PARSHWANATH UPADHYE A versatile Indian classical dancer, ‘Natya Mayura’ ; ‘Natya Keerthi’ awardee,Parshwanath Upadhye has carved out a niche for himself today as one of the most sought-after male dancers in the country. He is a Winner of eight national awards, an empanelled artist of the ICCR (Indian Council for Cultural Relations) and an ‘A grade’ artist of the Bangalore Doordarshan Kendra, Parshwanath’s prowess in the field of dance is extensive. Parshwanath completed his Arangetram, Vidwath and Alankaar Exams under the able guidance and...

G.N.B, an unparalleled Genius Musician

C an a musician have a great flow to his music and yet be analytical? Can a musician sing based on Lakshya without compromise to Lakshana? Can a musician have discipline in his Kirthana singing despite having extraordinary Manodharma...? There was one musician who was a testimony to all the above. He had many firsts to his name ! It was he, who introduced the concept of “Porutham” singing. When he sang Palintsu Kamakshi, he sang Kalpana Swaram for “Kanthamagu” . It was not the hackneyed MRSRM finish. He used to finish with phrases such as SNPNM, RMPNS and PNSRM and start Kanthamagu from the adjoining note. This was a huge innovation. Of course genius musicians such as Lalgudi Sir, Balamurali Sir and Seshagopalan Sir have taken a leaf out of his books and added Kanakkus to Poruthams and further embellished. He introduced concept of Sruthi Bedham. He used to just show a glimpse of the child Raga and not dwell too much into it. When he elaborated Thodi, he would sh...

Pandit Samta Prasad - Resonance unlimited

I f each year is a beat, today the second cycle of the twelve beat Ekthal is completed, after the demise of the Maharaj of Thaal - Pandit Samta Prasad (Gudai Maharaj). Of course, his life was not different from his own words: "The whole life of a tabla artiste is dedicated to finding a special beat with the tali and the khali . They reside in his heart, because his soul rests and throbs with the thaala of measured matras" . He is a musician who had dominance over both the baayan and tabla. He was an illustrious soloist and accompanist. In Pandit Kishan Maharaj's ( tabla exponent ) opinion, "Tabla in Gudai ji's hands seemed like a fish trapped in an eagle's claws". He had such an astonishing control over the instrument. It is said that in those days, the organizers felt like- without Gudai Maharaj the concerts were incomplete and they will first attest to the date of Gudai Maharaj before they finalize the main artist ! He was awarded the...

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