WOCUE

H aving come from Delhi to Chennai Margazhi, i decided to do an executive music therapy and consulted different 'resident doctors', specialists, super specialists etc located in different Sabhas. My music therapy began at Krishna Gana Sabha on 24th December with 'a detailed examination' by Pandit Ronu Majumdar who is arguably the best Lungs and Breath specialist. He decided immediately on 'checking' me that i should first be de-toxicated as I have come from a highly polluted Delhi. He breathed melody of his magic flute for two hours and i felt as if i am surrounded by Air Purifier. At the end of the session he gave me a hug to certify that i am purified. My next visit was to Partha Sarathy Swami Sabha where a Fulbright ( fully bright ) GP by name Sikkil Gurucharan took me right under his nose . I was seated by him in the front row and the session of 150 minutes was rejuvenating. He also took help from a very senior Consul...

I have always nursed a dream of attending a live concert of young and prodigiously talented Saketharaman the Carnatic Vocal * on the horizon. There is something about Saketh that leaves you craving for more and you submit an urgent wish list looking yonder at sky and a prayer in your lips to soon grant you the wish of next concert. He has a knack of disproving that there is satiation as your greed and appetite increases multifold and Eh Dil Mange More. Saketh lit the auditorium with cascaded divine Carnatic music and it was music for the souls as evidenced by earth quake of applause repeatedly at every subtle nuances he scaled effortlessly. The repertoire : Palayasumam – Arabhi Sundaratara deham – Pantuvarali Amba Neelambari – Neelambari VaraNarada – VijayaSri Marakathavalli – Kambhoji Ragam Tanam Pallavi – Varamu & Saveri (dwi-raga) Aadu Chidambaramo – Behag Tirupugazh – Hamir Kalyani Saketh started the concert with a slokam in Arabhi and he j...

C an a musician have a great flow to his music and yet be analytical? Can a musician sing based on Lakshya without compromise to Lakshana? Can a musician have discipline in his Kirthana singing despite having extraordinary Manodharma...? There was one musician who was a testimony to all the above. He had many firsts to his name ! It was he, who introduced the concept of “Porutham” singing. When he sang Palintsu Kamakshi, he sang Kalpana Swaram for “Kanthamagu” . It was not the hackneyed MRSRM finish. He used to finish with phrases such as SNPNM, RMPNS and PNSRM and start Kanthamagu from the adjoining note. This was a huge innovation. Of course genius musicians such as Lalgudi Sir, Balamurali Sir and Seshagopalan Sir have taken a leaf out of his books and added Kanakkus to Poruthams and further embellished. He introduced concept of Sruthi Bedham. He used to just show a glimpse of the child Raga and not dwell too much into it. When he elaborated Thodi, he would sh...